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ERIC ZAMMITT
BORN: 1960, Los Angeles, CA
EDUCATION:
Pasadena City College; Associate in Arts Degree
Courses at California State University Los Angeles
Three years independent study and travel in Japan and greater Asia
SOLO EXHIBITIONS:
2005 “Cabin Fever”, Newspace Gallery, Los Angeles, CA
2003 “Particles and Waves”, Harris Gallery, University of La Verne, CA
1996 “Eric Zammitt”, David Lawrence Gallery, Beverly Hills, CA
1995 “Eric Zammitt”, Pasadena City College Art Gallery, Pasadena, CA
GROUP EXHIBITIONS:
2007 “Themes and Variations: New Abstraction in Los Angeles,” Torrance Art
Museum, Torrance, CA
2006 “All in the Family”, Group show including Anne Thorhycroft with Ladddie John
and Ariel Dill, Ed and Eddie Ruscha,
Ed and Andy Moses, Eric and Norman Zammitt. Curated by Molllie Barnes.
“Good Clean Fun”, George Billis Gallery, Culver City, CA
The Brewery Project, Los Angeles, CA
2005 “Connie Goldman/Eric Zammitt”, Tangent Contemporary Art, San Francisco,
CA
Venice Art Walk Silent Auction, Venice, CA
2004 “Three Some”, Three person exhibition, Newspace Gallery, Los Angeles, CA
Venice Art Walk Silent Auction, Venice, CA
2003 “Merge”, Curated by Jennifer Faist, Andlab, Los Angeles, CA
“Gridlock”, Curated by Kristina Newhouse, West L.A. College, CA
Venice Art Walk Silent Auction, Venice, CA
“Trans Fab” (Transcendental Fabrication), Domestic Setting, Venice, CA
“Approaching Perfection”, The Brewery Project, Los Angeles, CA
2002 Permanent installation, “Wall of Honor”, donor wall, Baylor College of Medicine,
Houston, TX
“Kaleidoscope”, Raid Projects, Los Angeles, CA
Venice Art Walk Silent Auction, Venice, CA
Korea International Art Fair, Pusan, Korea, Represented by Sabina Lee Gallery, Los Angeles, CA
2001 Venice Art Walk Silent Auction, California Sculpture Garden, Venice, CA
1997 “Skin and Bone”, L.A. Municipal Art Gallery, Barnsdall Art Park, Los Angeles, CA
Curator: Noel Korten
1996 “New Structuralists”, Susan Street Fine Art, Solana Beach, CA
“On and Off the Wall”, Riverside Art Museum, Riverside, CA
“New Structuralists”, Daniel Arvisu Gallery, Santa Ana, CA
“Structuralism”, Boritzer/Gray/Hamano Gallery, Santa Monica, CA
“Norman Zammitt and Eric Zammitt”, M. Anthony Gallery, Sierra Madre, CA
1995 “Eric Zammitt/Constance Kocs”, Brand Gallery, Santa Ana, CA
North American Sculpture Exhibition, Juror: Peter Shelton, Foothills Art Center, Golden, CO
SELECTED PUBLIC COLLECTIONS:
Baylor College of Medicine, Houston, TX
United States Federal Courthouse, Los Angeles, CA
Gibson, Dunn & Crutcher, Los Angeles, CA
Harvey Universal Inc., Los Angeles, CA
Wallach Glass Studio, Santa Rosa, CA
Jarrow Formulas Inc., Los Angeles, CA
Tsuge Cafe, Tokyo, Japan
SELECTED BIBLIOGRAPHY:
2005 Los Angeles Times, Nov. 11,, Review, “Do these small bits add to a whole?”
Christopher Miles
2004 Los Angeles Times, July 2,, Review, ‘Delight is in the Details’, David Pagel
L.A. Weekly, July 16 - 22,, Art pick of the week, Peter Frank
Artscene, June 22, Review, Mat Gleason
2003 Coagula Art Journal, Nov., Review, Lucinda Michele Knapp
2000 Los Angeles Times Magazine, Dec. ‘High Tide’ By Micheal Webb
1991 Angeles Magazine, May. ‘Queen of Cups’ By Lisbet Nilson
1990 The Book of Cups, Garth Clark, Abbeville Press. Cover and page 21
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