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JEREMY KIDD
BORN: 1965, British
EDUCATION:
1984 B.A. De Monfort University, Leicester, England
SELECTED SOLO EXHIBITIONS:
2008 Newer Topographics: Photographs of Digitally-Altered Urban Landscapes, UC Riverside
Museum of Photography, Riverside, CA
2007 Fictional Realities,Laguna Art Museum, Laguna Beach, CA
Fictional Realities, Scott Richards, Contemporary Art, CA
2004 Fotofest Biennial, with Ann Stautberg, Barbara Davies Gallery, Houston, TX
2003 Littlejohn Contemporary, New York
American Intercontinental University, CA
Aberrant Excusions, Irvine Fine Arts Center, Irvine, CA
2002 Susanne Vielmetter Los Angeles Projects, Los Angeles
2000 Littlejohn Contemporary, New York
1999 Littlejohn Contemporary, New York
1998 Patricia Correia Gallery, Santa Monica
Jeffrey Coploff with Susan Batu Fine Art, New York
SELECTED GROUP EXHIBITIONS:
2006 Taking Inventory; Transformation through Compilation, Mark Moore Gallery, CA
Art Miami Fair, Scott Richards Contemporary Art, San Francisco, CA
2005 Toronto Art Fair, Scott Richards Contemporary Art, San Francisco, CA
Affordable Art Fair Littlejohn Contemporary, New York, NY
Photo San Francisco, Blasthaus, CA
Gridlock Raid Projects, Los Angeles, CA
Opening Bloom Barbara Davis Gallery Houston, TX
California Visions Long Beach Museum, CA
Los Angeles Art Fair, Littlejohn Contemporary Gallery
London Art Fair, Caroline Wiseman Gallery, London
2004 Nicholson’s A Vital Simplicity, Caroline Wiseman Gallery, London
Sawtelle The Sequel TheBeaker Gallery, FL
Ultra Chrome Carl Berg Gallery, CA
Crazy Thoughts Have Quick Wings Curated by Eve Wood, Cirrus Gallery, CA
H2O Curated by Lothar Schmitz, Cross Roads, Santa Monica, CA
2003 Midas Curated by Martin Durazo & Sherin Guiguis, Post, CA
Playing with a full pack Laguna Art Museum, CA
Genius Loci curated by Barbara Davies, DMJM Rottet Studio, Houston TX
Perogi 2000, Flat Files, New Work, Brooklyn, NY
Deutsche Bank, London
Gridlock curated by Kristina Newhouse, West LA Community College, CA
California State Senate Contemporary Art Collection, CA
2002 Five Superior: “an exhibition” space Cleveland, OH
Island, organized by Giant, 77 Broadway Market, London, UK
Loco for Rococo, curated by Mark Brogen, The Nunnery, London, UK
2001 UFO Show, curated by Barry Blinderman, The Gibson Gallery at The Art Museum,
State University of New York Potsdam, NY
Inaugural Show, Raid Projects, Los Angeles, CA
Mural II, curated by Carl F. Berg, Irvine Fine Arts Center, Irvine, CA
Rising Tide, curated by Max Presneill, Orange County Contemporary Art Center, CA
2000 UFO Show, curated by Barry Blinderman, University of Colorado, Colorado Springs, CO
UFO Show, curated by Barry Blinderman, Arts & Sciences Centre for Arkansas, AR
UFO Show: curated by Barry Blinderman State University of Illinois Galleries, Normal, IL
Luminous, co-curated by Leonard Bravo and Chris Miles, Ikon Gallery, Santa Monica,CA
Luminous, Robert Kidd Gallery, Birmingham, Michigan, MI
1999 Abstraction: New Directions for a New Millennium, Robert Kidd Gallery, Birmingham, MI
Flat Files, Nylon Gallery, London, UK
Skin Deep, Patricia Correia Gallery, Santa Monica, CA
Orange County Museum of Art Biennial: Newport Beach, CA
Limits, Arizona State University Art Museum, Tempe, AZ
1998 Unnatural Selection, Raritan College, NJ
Littlejohn Contemporary, New York, NY
Pop Surrealism, The Aldrich Museum of Contemporary Art, Ridgefield, CT
1997 Sizzle, Jeffrey Coploff Fine Art, New York, NY
1996 Flat Files, Pierogi 2000, Brooklyn, NY
SELECTED BIBLIOGRAPHY:
2007 Fictional Realities, Laguna Art Museum, Laguna Beach, CA; and Scott Richards
Gallery, San Francisco, CA,
essay by Tyler Stallings
Leaverton, Michael, “New Worlds,” SF Weekly, June-July issue, Vol. 26, No. 22
“Jeremy Kidd,” Shana Nys Dambrot, Art Ltd., March issue, pp. 34-37
2005 Leaverton, Michael. “The Metallurgists: The Dizzying Worlds of Altered States”, San Francisco Weekly, September 7, pg. 26
Cohen, Edie. “A Family Affair”, Interior Design Magazine, UK, February, pg.164-165
2004 Adam Georgina. “A Vital Simplicity at Caroline Wiseman Gallery”, Preview: The Art News Paper, UK, 2004
Bumpus, Judith. “Nicholson Dynasties: A Vital Simplicity at Caroline Wiseman Gallery”, Galleries Magazine,
UK, November, pg. 16
Barker, Godfrey. “A Vital Simplicity, A Colourful Family”, Evening Standard Magazine, UK, October, pgs., 19-21,29
Artnet. “Digital Splendor: Ultra Chrome at Carl Berg Gallery”, September
Abramian-Mott, Alexandria. “Windswept”, Angeleno Magazine, Los Angeles, CA, September.
Nys Dambrot, Shana. H2O at the Sam Francis Gallery, Crossroads School, Artweek,
Issue 3, April
Water Everywhere “H2O”, Crossroads School for Arts and Sciences, Artnet, March 5, 2004
2003 Zerodegreesart.com. Monthly Feature, November
Flavorpill.com. Gridlock West Los Angeles Collage Fine Arts Complex
Newhouse, Kristina. Sequel, at Domestic Setting, Artnet, April 17t,
Janes, Hilly. A Head of The Curve The Observer Magazine, (UK), March 16,
Zealous Imaginings “Aberrant Excursions” at Irvine Fine Art Center, Artnet, February
2001 Schoenkopf, Rebecca. Let a Thousand Murals Bloom at Irvine Fine Art Center, Orange County Weekly, CA, September
Scarborough, James. “Murals II” at Irvine Fine Arts Center, CA, New York Fine Arts Magazine, October
Roote, Dave. Beam Me Up “UFO Show” at the University of Colorado, Colorado
Springs;
Colorado Springs Independent, December 14-20
2000 Pagel, David. Art Reviews "Luminous" at Ikon Ltd/ Kay Richards Fine Art, Los Angeles Times, July 28.
Frank, Peter. "Art Picks of the Week: "Luminous" at Ikon Ltd, Los Angeles Weekly,
June 22.
1999 Provenzano, Frank Three Birmingham Galleries Demonstrate the Variety of
Contemporary Painting “Abstraction”:
New Directions For a New Millennium at the Robert Kidd Gallery The Birmingham Eccentric, November. MI
Frank, Peter. Art Picks of the Week: Skin Deep at Patricia Correia," Los Angeles Weekly, April 1, CA
Mendenhall, Lauri. Projects for Pleasure “1999 Biennial at Orange County Museum of
Art”
Coast Orange County, April 1999, CA
Curtis, Cathy. Formal Boundaries Take Some Life From 'Biennial, “1999 Biennial at
Orange County
Museum of Art” Los Angeles Times, March 2, CA
Bell, J. Bower. Review: The Critical State of Visual Art in New York, Jeremy Kidd at
Littlejohn Contemporary, February 15, NY
Walsh, Daniella. Ten Young Artists Put Aside Angst to Produce Pieces with a Sense
of Fun “1999 Biennial
at Orange County Museum of Art” The Orange County Register, February 14, CA
Dubin, Zan. A Range of Approaches and Materials Transform the Real World Into the
35 Works in 1999
Biennial Los Angeles Times (Orange County Edition), February 6, CA
1998 Schwabsky, Barry. Abstract Painting, Though Not Entirely Review Of “Unnatural
Selection
Exhibition" The New York Times, October 25, Ny
Dagbert, Anne. Bergamot Station Arts Center Art Press, #238, September, US
Cutajar ,Mario. Reviews at Patricia Correia, Art/Text, Summer Edition, US
Ise, Claudine. Art Reviews at Patricia Correia, Los Angeles Times, May 1, CA
Nahas, Dominique. Review: The Critical State of Visual Art in New York, review of
Jeremy Kidd at Jeffrey
Coploff, February 1, NY
Dalton, Jennifer. Review: The Critical State of Visual Art in New York, review of Jeremy
Kidd at Jeffrey
Coploff, February 1, NY
1997 Frank, Peter. Art Pick of the Week Los Angeles Weekly, April 4-10, CA
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